RIP to Rutger Hauer, an actor with a colorful filmography and genuine, heartfelt talent. I’ll confess that there are a lot of his films I’ve yet to see, but there’s never been a better time to experience his body of work than the era of streaming video. May he rest in peace, and may his work live on.
In light of his death, I was reminded of a very silly article I wrote a long time ago. The premise for that would-be series is that I’d write a review of what I thought an unseen movie might be like based on the shortest summary of its story at IMDb, then watch it and write a real review. The publication never got off the ground, and I’m no longer in contact with those who commissioned it. It may as well find a home here.
Continue reading “Ladyhawke – The Unseen Review”
Science fiction can tell you a lot about a society’s aspirations and anxieties; horror is an inside look at what a culture dreads and holds dear in equal measure. That extends to b-movies and low budget affairs too: don’t let anyone tell you THE EVIL DEAD isn’t art. Because I think film’s worth is democratic, I keep my selections eclectic and don’t stand on ceremony about propriety or provenance. My willingness to experience films from all corners means that friends periodically send me stuff to watch. And while I’m always grateful to get DVDs and Blu-rays in the mail, my criteria for enjoyment don’t always align with someone else’s idea of a good time off the cinematic grid. And so, we come to DEATH-SCORT SERVICE.
Continue reading “Death-Scort Service: A Film Review”
I wrote a little thing, which can be found here. Though I worry I boiled a key player down to a family of clinical diagnoses, the shoe really seems to fit.